Far more,  though still a fraction, of MOMA’s nonpareil col- lection is now on display,  arranged roughly chronologically but studded with such mutually provoking juxtapositions as a 1967 painting that fantasizes a race riot,  by the African-American artist Faith Ringgold,  with Picasso’s gospel “Les Demoiselles d’Avignon” (1907).

1. with Picasso’s gospel “Les Demoiselles d’Avignon” (1907).  是与juxtapositions 搭配吗，是juxtapose something with something的变体吗？

2.  of MOMA’s nonpareil col- lection 是of前面省略了名词吗